Theater Practitioners - Bertolt Brecht


Bertolt Brecht


Ø  Bertolt Brecht (10th of February 1898 - 14th of August 1956)
§  German poet
§  Playwright
§  Theater director
§  During WW1, he was 16 and sought to avoid having to fight by enrolling in an extra Medical Course at Munich University, where he studied theater and became inspired
§  In autumn 1918, he was drafted – then posted back to Augsburg as a medical orderly in a military VD clinic a month before the end of the war
§  Awarded the Kleist Prize
§  Left Germany when Hitler rose to power
§  Father of Epic theater
§  “His goal was to influence the audience into thinking about society and encouraging change within it – (Hubpages)
§  Ran the Berliner Ensemble (post-war theater company) with his latest wife, Helene Weigel
§  Died of a heart attack at the age of 58

Ø  Brecht acting techniques
§  Great emphasis on gesture, particularly for demonstrating emotions
§  Focus on body language and actions
§  Uses ensemble, montage and stereotypes
§  “The message is superior to character, the story and situation itself is more important than the personal challenges within the situation” – (Hubpages)
§  Explored theater as a “forum for political ideas and the creation of a critical aesthetics do dialectical materialism” – (Wikipedia)
§  Epic Theater: didn’t want the audience to feel – wanted them to think!
o   Spectators should not identify emotionally with the characters/ action
o   Provokes a rational self-reflection/ critical analysis of what the spectators are watching
o   Wants the audience to identify the injustice/ problem, etc. in the hopes that the solution proposed extends beyond the walls of the theater, and affects their daily lives
o   Conscience that theater’s a representation of reality
o   Verfremdungseffekt (translated as "de-familiarization effect", "distancing effect", or "estrangement effect", and often mistranslated as "alienation effect")
o   By highlighting the constructed nature of the theatrical event, Brecht hoped to communicate that the audience's reality was equally constructed and, as such, was changeable. ” – (Wikipedia)
o   Direct address to the audience
o   Songs to interrupt the action
o   Harsh and bright stage lighting
o   Speaking stage directions out loud (during rehearsals)
Bertolt Brecht
http://www.brechtsociety.org
o   Explanatory placards
o   Addresses social and political issues
o   Gestus & Breaking the fourth wall

  Epic theater is remarkably similar to Chinese theater













Information from:
·      Encyclopedia Britannica Online
·      Wikipedia
·      http://www.brechtsociety.org (for the picture and info)

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